Monday, October 17, 2011

►Ma Liang Maleonn - Chaotic photography

►Ma Liang aka Maleonn, born in Shanghai, China in 1972. He is a graduate of the Fine Arts College of Shanghai University where he studied graphic design.This talented Shanghai based photographer has gained a kind of cult following because of his fable-like photographs. His images, in color and black and white, are often created with props, actors and a strange mix of hues, colors and theatrical sets. 

"The physical outward world is more and more complicated and chaotic. In such a ridiculous age shaped by plastic values, lots of things that are profound and noble are becoming doubtful. I'm trying to use my own way to reorganize this age in my eyes. I'm dancing with the music of the times exaggeratedly and ludicrously, even a little artificial. But, that is our irresistible fate. All that is just the plastic feeling surface. During the process of building up the work, what supports me is still the self-thinking and inspections towards the human being as an individual.
My work is my inner world. The moments in my works really have been existed in my fantasy. Sometimes I painted them one day before shooting. I painted so quickly even surprised myself sometimes. They are so clear in my mind that every detail exists there. I'd love to imagine and thinking all the day. I believe that I have a complete world inside my heart. With my 30 years growing, this world is being constructed more and more complicated. What I'm doing is to turn the images of this world into reality, that's all."

►Lou Ros - Non aesthetic painting

►Lou Ros, 26, began painting at the age of 17. Based in Paris, France, he started with graffiti for fun with friends which soon became a real addiction to him. His art represents the visible and not so visible worlds. With paint brush in his hands colors fly, dance and rejoice with pleasure and passion. Learning to paint without going through an art school, Lou felt the limits of his street art, admitting himself that:
"There is an ethics of aesthetic beauty and repetition that eventually bores me. Painting beautiful is boring, while making a painting that has strength is quite another thing. So I started painting at home. "

►Julian De Narvaez - Mistique illustrations

►Julian De Narvaez was born in Bogota, Colombia, in 1977 and graduated as a graphic designer at the Jorge Tadeo Lozano University in 2002, and in web development in 2004 at the same university. He attended National Art Institute IUNA, Buenos Aires, Argentina in 2009 for specializing in media and technologies program for artistic production. Julian De Narvaez’s work has appeared in various media channels in Colombia and Mexico since 2002.
He currently works with different editorial and design agencies in England, United States and South America.

►Ray Caesar - Beautifully movable dolls

►Ray Caesar was born in 1958 in London. At an early age, his family moved to Toronto, Canada, where he currently resides. From 1977—80 he attended Ontario College of Art, followed by 17 years from 1980—96 working in the art & photography department of the Hospital For Sick Children in Toronto, documenting disturbing cases of child abuse, surgical reconstruction, psychology, and animal research. Coupled with inspiration from surrealists Kahlo and Dali, Caesar’s experiences at the hospital continue to influence his artwork. 

His haunting imagery is created digitally using 3D modeling software called Maya, mastered while working in digital animation for television and film industries from 1998—2001. In 1999, Caesar received a Primetime Emmy Nomination for Outstanding Special Effects in a series.
Caesar works in Maya (a 3D modeling software used for digital animation effects in film and game industries), using it to create his figures as well as the virtual realms in which they exist. Through the program, he builds digital models with invisible skeletons and anatomical joints that can be bent and manipulated to assume any pose. He wraps the models in rich textures, adding hair, skin, eyelashes and fingernails. Then places them in digitally lit, impeccably detailed 3D environments built with architectural layers, windows, wallpapers, curtains and furnishings. Caesar’s meticulous process incorporates elements of drawing, painting, collage and sculpture, working countless hours to achieve every remarkably intricate tableau. Further emphasizing his sculptural technique, Caesar compares his process of 2D printmaking with imagery created in 3D as being similar to the practice of capturing stills from video and film. 

With full control over dressing, posing and lighting his figures as well as every element of their surroundings, Caesar’s craft is an advanced extension of a childhood obsession—playing with dolls. Fantasy, escapism, human cruelty and disguise are reoccurring themes explored within his dramatic narratives. Betraying the seemingly child-like innocence of the figures is their piercing, knowing gaze—exposing inner strength in contrast with their fragile physical appearance. Dark details manifest from deep within the artist’s vast imagination to define simulated realities, transporting the viewer into sanctuaries created for his lost ghost-children who emerge from shadows into safe refuge, carrying macabre secrets and hidden truths.

Artist's Statement... 

"I was born in London, England on October 26 1958, the youngest of four and much to my parent's surprise, I was born a dog. This unfortunate turn of events was soon accepted within my family and was never again mentioned in the presence of polite company. I was a rambunctious youth as was natural to my breed but showed a fine interest in the arts as I drew pictures incessantly on anything including the walls and floors of every room of our tiny house. After some trouble with intolerant neighbors, my family was convinced to move to Canada and it was not long before the burgeoning town of Toronto became our new home.
Unfortunately the drawing continued to become somewhat atypical and aberrant and it was  impressed upon me that such images might not be suitable for public viewing. In the summer of 69, there was a valiant attempt to stop me from doodling infamous contemptible fascist dictators upside down on my stomach with a ballpoint pen. I was consoled however by the encouragement to continue penciling in faces of flamboyant cowboys such as Gene Autry, Roy Rogers, The Lone Ranger and Tonto on my toenails but was expressly forbidden to talk to them at night.

It can be said that there are defining moments in a dogs life that can only be described as pivotal. Mine came when I received a gift of a flesh toned 12 inch plastic movable human doll attired in cheaply made military fatigues called "GI Joseph". I however named him "Stanley Mulver" and immediately resigned his commission from the light infantry. My Mother helped in this by sewing small business suits and leisure wear out of leftover Christmas fabric embroidered with holly and snowmen, tinfoil shoes and one tasteful Safari suit made of tight fitting powder blue rayon that proudly shone cobalt in the summer sunlight. It wasn't long before I had begun making enlarged wigs out of gray plasticine.

These wigs soon became huge pompadours for Stanley  and looked even more grand when I meticulously embedded small hairs from my daily body and face shavings. This hirsute practice along with walking upright allowed me to fit in with other children even though my father considered it a waste of time. In short, Stanley had become a visage of the Man I could never be, of that elusive self one sometimes glimpses down the tunnel of infinite reflected mirrors. Although ridiculed by my peers, I proudly wore Stanley around my neck at all times as if to say "SEE! This is the man I will be, a good man, a kind man".

I have worked in many fields over the years, attended obedience classes and art colleges, jobs designing horrible buildings in architectural studios, medical art facilities, digital service bureaus, suspicious casino computer game companies, eventually working at computer modeling, digital animation and visual effects for television and film. Some award nominations have been attained and I have been driven in long black liquor filled limousines and walked on hind legs down red carpets in Pasadena while wearing strange smelling rented tuxedos.

Things change and summer years come to an end. My change occurred one night when my Mother visited me, which was slightly unusual because she had passed away some months before, a victim to the cigarette habit she could never quite lick. Facing a wall and slowly turning I saw the right side of her face ablaze in light, her hand trying to cover the light as if she were apologetic for having it seep through. Words were said about following rabbits down holes and I was shown galleries of work which were to be my own. My Mother was not the first visitation I have had and it seems she will not be the last.
I live in a brick house with my wonderful wife Jane and a coyote called Bonnie. I like eating avocados and I don't really mind being a dog".

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