►Get a glimpse into the Opulent life. He loves his riches - gold remotes, Van Gogh paintings and of course the Swedish models. And don't forget his pygmy giraffe ;)
Monday, February 13, 2012
Sunday, February 12, 2012
►Evoking the feeling of being in a tree house is exactly what the beautiful Wilkinson residence in Portland does. Located on a flag lot, the extraordinary house is brilliantly designed to perfectly blend with the natural landscape. A steep sloping grade provided the opportunity to bring the main level of the house into the tree canopy.
Catering to the desire of the client, Wilkinson Residence designed a dwelling that not only became part of the natural landscape but also addressed the flow of music. It has a natural wood ceiling that wonderfully floats on curved laminated wood beams, passing through a generous glass wall, which wraps around the main living room. The interior space of this amazing house flows seamlessly through to the exterior. Taking a walk through the house will help you see its complexities and its connection to the exterior.
►Ronald "Ron" Mueck (born 1958) is an Australian hyperrealist sculptor working in the United Kingdom.There is a point, when sculpturing, at witch taking great care of details leads to creating hyper realistic artwork that cannot be set apart from the real world objects it is supposed to represent. Ron Muech sculptures are just that, extraordinary realistic art that seems real even after looking at it for the tenth time. The design of his creative sculptures can be explained just using this word: superb!
Mueck's early career was as a model maker and puppeteer for children’s television and films, notably the film Labyrinth for which he also contributed the voice of Ludo.
Mueck moved on to establish his own company in London, making photo-realistic props and animatronics for the advertising industry. Although highly detailed, these props were usually designed to be photographed from one specific angle hiding the mess of construction seen from the other side. Mueck increasingly wanted to produce realistic sculptures which looked perfect from all angles.
In 1996 Mueck transitioned to fine art, collaborating with his mother-in-law, Paula Rego, to produce small figures as part of a tableau she was showing at the Hayward Gallery. Rego introduced him to Charles Saatchi who was immediately impressed and started to collect and commission work.
This led to the piece which made Mueck’s name, being included in the Sensation show at the Royal Academy the following year. Dead Dad is a rather haunting silicone and mixed media sculpture of the corpse of Mueck’s father reduced to about two thirds of its natural scale. It is the only work of Mueck’s that uses his own hair for the finished product.
Mueck's sculptures faithfully reproduce the minute detail of the human body, but play with scale to produce disconcertingly jarring visual images. His five meter high sculpture Boy 1999 was a feature in the Millennium Dome and later exhibited in the Venice Biennale.
In 2002 his sculpture Pregnant Woman was purchased by the National Gallery of Australia for $800,000.
Check out the photographs that speak louder than words about the detail levels and the creativeness of his artsy sculptures.
Mueck first gained international attention with Dead Man, a naked, half-scale impression of his father shown in “Sensation: Young British Artists from the Saatchi Collection” (1997) at the Royal Academy of Arts in London. With no formal art training, he perfected his skills in the commercial world of special effects, model-making, and animatronics. In 1996, he presciently created for his mother-in-law, well-known British painter Paula Rego, a figure of Pinocchio, the quintessential embodiment of truth and lies. Saatchi saw this sculpture, and smitten, began acquiring Mueck’s work.
►Adam Hunter Caldwell, born 1963 Framingham, Massachusetts. Education BFA with honors CCAC in 1998.Artist's Statement...
My paintings and drawings juxtapose elements of abstract expressionism and classical figuration. During my training at the California College of Arts and Crafts, I began to create collage drawings that layered disparate images on top of one another; I now use oil paint in a similar way, starting with an abstract background and then adding more photo-realistic details, allowing the work to dictate its own construction. The resulting palimpsest of figures and abstract shapes represents the conflicted and paradoxical emotions that underlie my work. My paintings evoke the tensions between mind and body, self and other, present and past. They also raise questions about the nature of identity, particularly concerning issues of gender and sexuality. I am deeply concerned about the world around me, and my work reflects my reactions to social issues such as war and consumerism by contrasting images from American advertisements and popular culture with images of rituals from around the world.
The eclectic nature of my work reflects my wide range of interests and influences. My figurative painting and drawing has been influenced by the realistic yet expressive work of Odd Nerdrum, Francis Bacon, Lucian Freud, Antonio López García, Jenny Saville, and Barron Storey, whom I studied under at CCAC. Theories of consciousness by philosophers such as Daniel Dennett have also informed my art work. I am inspired by my grandfather, author Erskine Caldwell, and his commitment to representing the unseen and marginalized members of our society. I am also heavily influenced by music, movies, and comics, all of which have shaped my identity. I am an accomplished guitarist and martial artist, and these disciplines also inform my artistic perspective.
One of my most important areas of inspiration is the community of artists I surround myself with. Painting in particular can be a very lonely and isolating practice, so I make a point to attend drawing groups and I share studio space with David Choong Lee. Although the process can be solitary, I paint to commune with others and allow them entrance into my interiority. Painting connects me to my world and times and culture. I always hope to create work that will invoke in someone else the feelings I have had before great art.