►Ronald "Ron" Mueck (born 1958) is an Australian hyperrealist sculptor working in the United Kingdom.There is a point, when sculpturing, at witch taking great care of details leads to creating hyper realistic artwork that cannot be set apart from the real world objects it is supposed to represent. Ron Muech sculptures are just that, extraordinary realistic art that seems real even after looking at it for the tenth time. The design of his creative sculptures can be explained just using this word: superb!
Mueck's early career was as a model maker and puppeteer for children’s television and films, notably the film Labyrinth for which he also contributed the voice of Ludo.
Mueck moved on to establish his own company in London, making photo-realistic props and animatronics for the advertising industry. Although highly detailed, these props were usually designed to be photographed from one specific angle hiding the mess of construction seen from the other side. Mueck increasingly wanted to produce realistic sculptures which looked perfect from all angles.
This led to the piece which made Mueck’s name, being included in the Sensation show at the Royal Academy the following year. Dead Dad is a rather haunting silicone and mixed media sculpture of the corpse of Mueck’s father reduced to about two thirds of its natural scale. It is the only work of Mueck’s that uses his own hair for the finished product.
Mueck's sculptures faithfully reproduce the minute detail of the human body, but play with scale to produce disconcertingly jarring visual images. His five meter high sculpture Boy 1999 was a feature in the Millennium Dome and later exhibited in the Venice Biennale.
In 2002 his sculpture Pregnant Woman was purchased by the National Gallery of Australia for $800,000.
Check out the photographs that speak louder than words about the detail levels and the creativeness of his artsy sculptures.
Mueck first gained international attention with Dead Man, a naked, half-scale impression of his father shown in “Sensation: Young British Artists from the Saatchi Collection” (1997) at the Royal Academy of Arts in London. With no formal art training, he perfected his skills in the commercial world of special effects, model-making, and animatronics. In 1996, he presciently created for his mother-in-law, well-known British painter Paula Rego, a figure of Pinocchio, the quintessential embodiment of truth and lies. Saatchi saw this sculpture, and smitten, began acquiring Mueck’s work.
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